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ECOPOETIC 2024

15 SIMULTANEOUS PERFORMANCES

INTERACTING WITH THE INTERNAL AND EXTERNAL SPACES OF

PARQUE GLORIA MARIA / TEATRO RUTH DE SOUZA IN SANTA TEREZA,

RIO DE JANEIRO

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WINGS AND ABYSSES

Concept: Regina Miranda and Ligia Tourinho Performance: Ligia Tourinho Direction: Regina Miranda With dramaturgy woven from the work of Brazilian journalist, playwright, and political activist Patrícia Galvão, better known by her nickname - Pagú, the performance distances itself from the allure of portraying the "muse of Brazilian Modernism." Instead, it opts to present a kind of scenic survival diary, composed of her own words at different stages of her life. In it, the person who reveals herself is the libertarian woman who resists normativity, fights on various fronts, and does not succumb to the proximity of madness or yield to impotence in the face of the extreme situations she had to confront during her life.

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INSIDE - EVERYTHING WITHIN US EXPANDS AND CONTRACTS

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SEARCH 12X12

Concepção: Carolina Navarro, Carol Breder, Jéssica Mamede e Lenine Vasconcellos / GruPPEn Atuação: Jéssica Mamede e Carol Breder Neste experimento/performance, o GruPPEn traz uma possibilidade de realização corporal/sônica da proposição labaniana, promovendo o encontro entre a figura do icosaedro, em sua utilização pela abordagem de Laban, e o universo serial dodecafônico através do instrumento Contato-01. A atuante tem à sua disposição os doze sons da escala cromática dispostos em uma série sonora/espacial para serem tocados por seus movimentos corporais, que buscam insistentemente os 12 vértices do icosaedro, convidando a observar uma performance onde “ouvir é ver”.

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INTER(ACTIVE) OEDIPUS

Concept and Performance: Jitman Vibranovski In an interactive theatrical experience, the opportunity arises to change the inexorable, yet not entirely fixed, fate of Oedipus. Yes! The one who killed his father, married his mother, and ended up blind. What would you change in this story? How? When?

Choreographic Research and Performance: Isabella Duvivier Souza An exploration of internal space and the senses of interiority in dance composition, inspired by primordial relational patterns with an emphasis on inner spatial awareness. During this free-form dance, the performer investigates improvised dynamics, beginning with Shape-Flow and Flow Support, their intensities and directions leading to Flow as Effort in external space. The exploration seeks to reveal the interactions between the self and the world, where dance emerges as a channel for deep perception and expression. Based on the movement practices of Irmgard Bartenieff, "Within" invites the audience to reflect on dance as an integrative practice of body, mind, and emotion.

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AND IF WE LOVED EACH OTHER

Concept, Text, and Performance: Solange Padilha A woman - I, the poet - declares her love to a tree through a poem, traversing the vital flow. The buriti is an echo, a pulse. She wishes to blend with it. She wants to incorporate it into her body. She wants to include the feeling of identities suffocated by concrete, which ultimately destroys the flow of the eco/Air. "I wish I had buritis planted on my chest. Watering the weave of muscles, lucid scales."

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DIVINE
FOOD

Creation-performance: Caio Picarelli and Nara Keiserman Two people walk. They cultivate attention towards a tree on a path where there is no hurry. A sensitive dialogue is created between the human kinesphere and the tree's kinesphere in continuous flow. The chanting of mantras brings forth weights and spatial directions that are guided by sound waves and listening to the surroundings. In Divine Food, the everyday is sacred. Internal-External is supported by Shape Flow, where respiratory support and weight transfer create dances nourished by the beauty of existence.

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IN-VERTICE

TONS OF WATER

Creation and Performance: Bruno Carneiro and Julia Franca The convergence of generational knowledge in circus arts and their bodies, combined with the wisdom and practices related to the use and handling of bamboo plants. The metaphor brought by the vertices of the "Tripod" apparatus, as well as the use of batons, both made of bamboo, proposes an intersection with the transversalities of Laban and Bartenieff, relating points of opening and intersections between Body-Space. In an attentive and open play towards an "ancestral future," as pointed out by Krenak, this experience invites a sense of action to feel-act the inversions of beings, proposing resistance and flexibility to the numerous intersections between matter, life, and art.

Creation and Performance: Cibele Sastre, Fabiano Nunes, and Juliana Vicari The floods in Rio Grande do Sul in 2024 resulted in a socio-environmental catastrophe in the capital of the state and in more than 94% of its municipalities. The performance is a dance-protest against a system colapsed by the waters of a sad, drowned, and multifaceted society that piles up the remnants of their lives in front of their houses — when they still have houses. Three artists from a not-so-happy Porto Alegre (Happy Harbour) unfold the bodily experiences of this muddy radical transformation of a mismanaged society. Conflicting information and deviations are the visible physical symbols of the flood’s aftermath. This work traverses the need to trans-create painful emotions into art.

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IN THE ABSENCE OF YOUR TOUCH

UNTITLED WORK

Choreographer and Performer: Luize Helena Pessanha The performance emerges from the intersection of internal impulse, improvisation, and the theories developed by Rudolf Laban. It is in moments of silence and presence that movement unfolds. The space becomes a receptacle for the weight, time, and flow that dwell within us. The dancing body, in its search for the absent touch, explores the geometry of emptiness and the poetry of movement. In a setting of stillness and connection, the dancing body becomes an instrument of expression, translating the essence of what cannot be conveyed with words into movement. Each gesture is a syllable, each step a verse, and the space around becomes a three-dimensional poem.

Creation and Performance: Bruna Fiuza and Luisa Fedrizzi Direction: Bruna Fiuza The desire and pleasure of producing dance from the study of the language of the body, movement. We began with the transverse trajectories of an Axial Scale. Its cyclical characteristic provided the opportunity to construct a narrative. We worked on acceleration, and the dynamics became more intense. Continuing until exhaustion. Recovering in Pre-Effort. Progressing to Effort. Returning to explore the Rhythms of Tension Flow, where sensations and emotions become more relevant. Action-Recovery / Stability-Mobility.

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POLYPHONIES

REDONDEL: TRANS(PORT)BODIES

Side A - Creation, Direction, and Performance: Susana Fuentes Side B - Performance: Susana Fuentes Direction: Susana Fuentes, Michele Almeida Zaltron, and Luciana Canton Composition in two movements: Side A - Seagull, a letter-poem for a short play, and Side B - Flower: borders, a scene-poem-romance. Seagull is born before and with Suzana's book: a letter to us, this seagull, now leaf, now fire, river, revisits the National Museum in flames, the Pantanal, and the question to the seagull: what strong, and fragile, can be lost every day. Side B brings the woman, the land in danger, and, in a rebuilding, memories, voices, and legacies, the presence of others in the body, roots. When a war begins, who do you warn first?

Concept and Performance: Aline Bernardi Equestrian Performance (Video): Dourado and Amora Dramaturgical Collaboration: Ligia Tourinho "Redondel" is a circular area, with a floor of earth, sand, or grass, that creates a safe environment for interaction between humans and equines.Transporting is the act of carrying or guiding (beings or things) to a specific place. In this eco-poetic ritual, the artist proposes a performative journey to invite people to the experience of transporting dances and poetic writings in a sensory redondel environment. Through a video, watched on participants' cell phones, where the artist dances with horses and mares in the round pen of Haras Instinto, the performance proposes for ways to collectively inhabit the Park’s "redondel", allowing transcultural perceptions to emerge between ways of existing in the act of weaving interspecies alliances with equine beings. (We request the audience to bring headphones)

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REMEMORIAR: BODY-SPACE-MEMORY IN MOVEMENT

Creators-Performers: Helena Bevilaqua and Lilian Lima The performance scenes alternate between speeches, audios, and instrumental music in homemade recordings, narrating small cases and great stories of two families, highlighting their two matriarchs. Themes such as aging, illness, memory, forgetting, migratory movement, and the relationship with food are poetically addressed, aiming to foster the investigation of family stories as potential tools in the process of artistic creations. Understanding that the two matriarchs represent different geographical and social contexts, the performance deals with the sensitive perception of expansions and reductions in the sizes of Kinesphere, and the variations of Effort factors in their gestures.

ALL THE TIMES
WE SAID GOODBYE

Concept and Direction: Regina Miranda Performers-Creators: Marina Salomon, Adriana Bonfatti, and Ana Bevilaqua / Cia. Regina Miranda & AtoresBailarinos In a global moment when over 100 million people had to abandon their "homes of origin" and survive in tents, streets, or cities to which they do not feel they belong, we ask ourselves how to live with the loss, what to preserve, and how to rediscover one's own dance in these uncertain territories. Texts by the indigenous Guarani Kaká Verá Jecupé guided us in a scenic investigation of radical, relational, and committed listening as a means of bring forth silenced memories. Laban's Spatial Harmonies, became constellations that oriented paths. To breathe and to learn how to go back and forth between worlds. To multiply memories, and to trace feelings on the skin. How to start over?

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TRANSCOMPOSERS

Concept and Performance: Denise Telles Music: Jocy de Oliveira and Villa-Lobos Cello: Daniel Silva "Transcomposers" is a term proposed by the author to name artists-composers who create their works motivated by the relationship between plural compositional and cultural language structures. In this operatic performance, set among threads that form fragments of geometric solids, the performer dances and sings excerpts from contemporary Brazilian operas by Jocy Oliveira and fragments of compositions by Heitor Villa-Lobos, while seeking to dialogue with characters from William Shakespeare, proposing in her dramaturgy a scenic, musical, and choreographic dialogue between Brazilian opera and English dramaturgy.

BIO ARTISTS Adriana Bonfatti Actress-dancer, movement director, and body preparation instructor. She is an adjunct professor and coordinator of the Bachelor's degree in Performing Arts at the Federal University of the State of Rio de Janeiro (Unirio). She holds a Master's in Theatre and a PhD in Performing Arts from Unirio, and is a Certified Movement Analyst (CMA) from the Laban/Bartenieff Institute of Movement Studies (LIMS) in New York. She has worked with theatre directors such as Gabriel Villela, Delson Antunes, José Possi Neto, Moacyr Góes, and Yvone Hoffman. She has been a member of the Regina Miranda & Atores-Bailarinos Company since 1989, participating in its artistic and socio-educational projects in Brazil and abroad. Notable performances include Moderato Cantabile, selected to represent Brazil at the Lyon Dance Biennale in France, and Moosbrugger Dances, awarded for "Choreographic Originality" at the Saitama International Dance Festival in Japan, both directed and choreographed by Miranda. Aline Bernardi A transdisciplinary artist focused on the intersections between dance and writing. Performer, dancer, writer, body preparation instructor, researcher, and teacher, she emphasizes somatic practices, improvisation, and contact improvisation. Artistic Director of Celeiro Moebius and creator of Lab Corpo Palavra, she is a PhD candidate in Performing Arts at PPGAC/UFRJ, with studies in ecofeminism and interspecies alliances. She holds a Master's in Dance from PPGDan/UFRJ and a postgraduate degree from Faculdade Angel Vianna. She has technical training in Contemporary Dance from Escola Angel Vianna and advanced training in Performance from c.e.m. in Lisbon. She curates the Entre Serras: Artistic Residencies and is the author of Performance Decopulagem and Lab Corpo Palavra: chão para uma prática de escritas dançadas. She is part of the Rede CI Carioca, dances in the performance GBIN by Cia. Xirê, selected for Sesc Pulsar Corpo Negro 2024, and works as a dancer, researcher, and artist-creator in As Histórias de @evamariageni, awarded the Funarj Dance Prize 2022 and Cruzamentos de Intercâmbio Brasil França Prize. Ana Carolina Navarro Researcher and dance artist interested in the relationship between dance, health, and modern digital technologies. She is a PhD candidate and holds a Master's in Biomedical Engineering (COPPE/UFRJ), with specializations in Laban/Bartenieff System (FAV), Contemporary Dance Studies (UFBA), and Biomechanics (UFRJ). She holds a Bachelor's and Licentiate degree in Dance Theory (UFRJ). Ana Bevilaqua Dancer and actress, PhD candidate in Performing Arts and holds a Master's in Theatre from UNIRIO. She has a Bachelor's degree in Performing Arts from UNIRIO and is a Certified Movement Analyst (CMA) by the Laban/Bartenieff Institute of Movement Studies (LIMS-NYC) since 2008. She has been working for over 30 years with the Regina Miranda & Atores-Bailarinos Company, performing in shows such as Perigo de Vida, Divina Comédia, Noturno, Ghazal, and Orfeu, and participating in its social and educational projects. As a guest dancer and rehearsal director, she collaborated with Os Dois Cia. de Dança, directed by Giselda Fernandes and Hilton Berredo. She works in body preparation and movement direction for theatre, with directors such as João Fonseca, Delson Antunes, and Walter Lima Jr. Since 2006, she has been a professor in undergraduate, postgraduate, and professional master's programs at Faculdade Angel Vianna (FAV), where she also coordinates the postgraduate program in the Laban/Bartenieff System and undergraduate courses. Bruna Fiuza Graduated in Dance from FAV (Faculdade Angel Vianna/RJ); Specialist in Laban/Bartenieff Movement Analysis System by LIMS (Laban/Bartenieff Institute of Movement Studies), NYC. She teaches in the Laban/Bartenieff System postgraduate program at FAV and is a physiotherapist from IBMR (Instituto Brasileiro de Medicina e Reabilitação), working in kinesiology applied to the health of imbalances in body systems. As a dance artist, she works as a dancer and assistant director of stage works. Bruno Carneiro Graduated from the National Circus School in 2010 and currently a teacher at the institution, he is the founder of the Circondríacos Group and an artist-creator of companies such as ARCHAOS (France), Carroça de Mamulengos, Circundando (Puerto Rico), Crescer e Viver, Corpos Acrobatic (Netherlands), Intrépida Trupe, Irmãos Brothers, Teatro de Anônimo, among others. Caio Picarelli PhD candidate and Master in Performing Arts from Unirio. He is an artist-teacher-researcher of Butoh Dance, and postgraduate in the Laban/Bartenieff System by FAV. He uses the System as an investigative path in the practice of Butoh Dance poetics and also as a support for educational experiences and creative processes in dance. Cibele Sastre PhD in Education from PPGEDU-UFRGS, Master and Bachelor in Performing Arts from PPGAC and DAD of the Institute of Arts at UFRGS. Specialist in Laban Movement Analysis (LMA/BF) by the Laban/Bartenieff Institute of Movement Studies (LIMS) in NY, with a scholarship from the Ministry of Culture, and CMA (Certified Movement Analyst) title. Specialist in Body Awareness - Dance by FAP-PR. She is an adjunct professor in the Dance Course at UFRGS, teaching modern and contemporary dance, movement analysis, choreographic composition, and somatic education. She researches Practice as Research in Dance and investigates the relationship between Dance, Somatic Education, and Creation. She coordinates extension projects on ethnic-racial and environmental issues, such as SêNegra Esefid and Coletivo Corpo Negra. She is part of the Research Groups GRACE/UFRGS and GESTA/UERGS, and the International Network of Presence Studies (GETEPE|UFRGS). She acts as a creator-interpreter, choreographer, and dramaturg in teaching and research partnerships in dance. Daniel Silva Born in Niterói – RJ, Daniel Silva is a recitalist cellist, chamber musician, and orchestral musician. He studied cello with Nerisa Aldrighi, Atelisa Salles, Marcelo Salles, Iura Ranevsky, and Alceu Reis, among others. He participated in Festivals such as the Bayreuth Festival of Young Artists, International Festival of Campos do Jordão, Femusc, CAF Latin American Symphony Orchestra under the direction of Maestro Gustavo Dudamel. As a soloist, he won the Young Soloists Competition of the Brazilian Youth Symphony Orchestra, participated in the recording of the CD "O menestrel e o Sertão Mundo," by singer and composer Elomar Figueira de Melo with the National Symphony Orchestra, and performed Piazzolla with OSN. Daniel is a cellist in the UFF National Symphony Orchestra, holds a Bachelor's degree in Music from UFRJ, a postgraduate degree from CBM, and is a founding member of the Kalimera Quartet, which was awarded at the MEC FM 99.3 Radio Festival, and the MetAcústico Quartet, which won first place in the 56th Villa-Lobos Festival contest. Denise Telles Performer, actress, lyric singer, theatre director, choreographer, researcher, and Transcomposer. She holds a PhD in Psychology from the Federal University of Rio de Janeiro (UFRJ), a Master's in Art Science from the Federal Fluminense University (UFF), and a Bachelor's degree in Performing Arts from the Federal University of the State of Rio de Janeiro (UNIRIO), where she taught for many years and coordinated the Hólos Arte project - multilingualism and relational sciences in multicultural creative processes in Art, Science, and Technology. She specialized in "Movement Arts" through the MPhil/PhD program at the Laban Centre in London (now Trinity Laban). She also graduated from the Angel Vianna Dance School, FAV, where she teaches in the postgraduate Laban/Bartenieff System program. She coordinates the Laban and Movement Art Training Course. Fabiano Nunes Actor-Dancer-Performer, Therapist, Dance Film Director, Contemporary Dance and Body Awareness Teacher. Graduated in Dance from FAV and Specialist in the Laban/Bartenieff System from FAV in partnership with LABAN Rio. He has worked with Regina Miranda since 2014, having performed in the six scenic installations for historical spaces directed by the choreographer for the Porto de Memórias Project. He later starred in the show Murakami: The Dream Reader (2016) and was part of the quartet that brought to the stage Olhos da Pele in 2022, both with the Regina Miranda & AtoresBailarinos Company. In 2023, he returned to Porto Alegre/Rio Grande do Sul, where he has been working with classes and with the Labanian field artist-researchers. Helena Paim Bevilaqua Cavalcante Dancer, researcher, and movement educator. She is a Master's student in Dance at UFBA, has a postgraduate degree in the Laban/Bartenieff System, and a degree in Dance from Faculdade Angel Vianna (student of Ana Bevilaqua in Laban Studies). She studied circus arts at the National Circus School and Escola Pernambucana de Circo, physical conditioning at the National Circus School, and Physical Education at UFRJ. She developed the children's project - Omi Zélia - focusing on oral culture, mythology, and environmental education. She works as a circus artist and street theatre, having participated in various circus groups, such as the Academus Cia de Circo and artistic residency in 2023 at The Box in New York. Júlia Sarmento Performer, writer, dance dramaturg, and researcher. She holds a PhD and a Master's in Performing Arts from the Federal University of Bahia (UFBA). Graduated in Performing Arts from the Federal University of Rio de Janeiro (UFRJ) with qualification in Theatre Directing and Acting. She is a collaborator of the Postdoctoral Research Project “Presenças d’OvO – As Mulheres do Loteamento do Brisa” by CNPQ with researcher Andrea Salles. Co-coordinator of the Núcleo de Estudos da Transcomposição Corporal nas Artes Performativas (NETO) and member of the Grupo de Estudos e Pesquisa CIRCUS (Circus Arts Research and Investigation Group) with Professor Luis Otavio Burnier. She investigates, within the perspective of feminist epistemologies, the relations of language and culture, body, performance, and writing. She developed the project "Performances to Resist - Body, Language, and Art in the Reconfiguration of Black Feminist Memories," approved by Edital Funarte Myriam Muniz de Teatro. Leandro Sousa Artist-teacher-researcher, Master in Performing Arts from UNIRIO, Bachelor in Theatre from UNIRIO, and Bachelor in Physical Education from Estácio. He is a specialist in Dance and Education from FAV and in the Laban/Bartenieff System. Graduated in Brazilian Folk Dances from FUNARJ, having studied classical ballet, and contemporary dance techniques, and danced in Cia. Contemporânea de Arte Negreiros, directed by João Vicente. He danced for over 10 years with the Regina Miranda & Atores Bailarinos Company, having performed in projects such as Moderato Cantabile and Moosbrugger Dança. He has collaborated with Regina Miranda as an assistant director and producer in various works. He teaches at the Institute of Technology in Dance (ITD) in the Rio de Janeiro City Hall and coordinates several artistic-pedagogical projects at various schools in the state of Rio de Janeiro. Liliana Sousa Actress, circus artist, and theatre researcher, she has a degree in Theatre from UNIRIO and a degree in Letters from UFF. She is a member of the Regina Miranda & AtoresBailarinos Company. She has worked in pedagogical and community projects at the Institute of Technology in Dance (ITD) in the City of Rio de Janeiro. Marisa Tavares Professor of Contemporary Dance Techniques and Dance Fundamentals in the Graduate and Undergraduate Programs in Dance at UFRJ. She has a postgraduate degree in the Laban/Bartenieff System from Faculdade Angel Vianna, and a Master's degree in Performing Arts from UFRJ. She was a dancer for over 10 years with the Regina Miranda & Atores Bailarinos Company, participating in international tours and in major social and artistic projects of the company in public spaces. Patricia Fortes Researcher and artist-creator in Dance and Anthropology, she is a Master in Dance from UFRJ and a Specialist in the Laban/Bartenieff System. She worked as an artist-educator in several contemporary dance projects in the city of Rio de Janeiro. She is a Dance teacher in the Dance graduate program at FAV. Regina Miranda Choreographer, director, and researcher. PhD in Theatre and a Master's in Performing Arts from UNIRIO, with a specialization in the Laban/Bartenieff System by LIMS-NY. She was a visiting professor at the Federal University of Bahia in 2023, teaching the Laban/Bartenieff System, Dance Composition, and the subject "Scenic Composition for Historical Spaces and Sites." Her works and social projects as a choreographer, researcher, and director have been developed in the USA, Canada, Europe, Japan, and Brazil. She is the author of seven books on dance and movement and was awarded the RioArte Fellowship, RioArte Special Project, FUNARJ Artistic Residency, and the Rockfeller Foundation Bellagio Center Residency. She received the Laban Award from the Laban/Bartenieff Institute in NY in recognition of her contribution to the area and the London International Dance Critics’ Award for her contribution to dance. Certified Movement Analyst (CMA) from the Laban/Bartenieff Institute, LIMS NYC, with a Bachelor's degree in Dance Theory from SUNY and a Master's degree in Science from GCU, USA. Solange Padilha Solange is a poet, visual poet, actress, researcher, and amateur photographer, originally from Belém do Pará and currently living in Rio de Janeiro. She lived in Paris during the military dictatorship, earning a degree in Social Sciences from the Sorbonne. She completed a master's degree in Social Sciences at PUC/SP and holds a Ph.D. in Anthropology of Art from PUC/SP, with post-doctoral research funded by CNPq at the National Museum of Fine Arts. She was the editor of Brazil's first feminist newspaper, 'Nós Mulheres' (1976/1979, SP). She has contributed to numerous anthologies and collections, such as Nova poesia brasileira, Antologia de poemas cariocas, Antologia de poesias Mulherio das Letras, and As mulheres poetas na literatura brasileira. Her most recent book of poems is "Sobre aquilo que não cessa." Susana Fuentes Actress, writer, playwright, dancer, and author of "A Gaivota ou a vida em torno do lago - tema para uma peça curta" (semifinalist for the Oceanos prize), she wrote the play "Prelúdios," a solo performance in which she also acts, selected for The New York International Fringe Festival. She holds a Ph.D. in Comparative Literature from UERJ.

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ECOPOETIC

2024

AUGUST 3rd

6:30pm to 8pm

Artistic Event Associated with

LABAN Conference

2024

Rio de Janeiro

Ruth de Souza Theater and

Gardens of Gloria Maria Park

ARTISTIC DIRECTION

REGINA MIRANDA

ECOPOETIC, from the Greek "oikos" meaning home, combined with "poiesis" meaning to create, can be understood as "the act of creating a home." When considering our planet as the home we share with millions of species, ecopoetic artistic practices seek to cultivate meaningful relationships, promote healthier places, and suggest pathways to better living conditions.

In this sense, our event values performances that engage with the environment without overshadowing or disrupting the surrounding spaces. Its structure is designed as a multicentric network of simultaneous and non-intrusive performances, avoiding stages, amplified sound, or fixed installations while artistically connecting indoor and outdoor spaces of an institution.

Previous editions (2008/2018/2022) demonstrate that ECOPOÉTICO is capable of transforming perceptions of geographical and cultural contexts, contributing to the redefinition of social spaces, and creating a pleasurable and engaging aesthetic experience for all participants involved.

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ECOPOETIC

2022

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Laban 2022 Ecopoetic performances

Arts shaping

Equality, Diversity and Inclusion

From the beginning of the 20th century to the contemporary scene of today, art has become more intentional in its addressing of social change. Nowadays, political artwork seems not to pertain to an exclusive category, nor presents a unified stylistic approach, but rather thrives in diversity and in conveying thematic messages and interacting with the audience in an inherently political manner.


ECOPOETIC @ LABAN 2022 invites artists across all Laban and Bartenieff lines of thought to reflect on how a dance or theatrical performance can relate to the event’s concept, and to explore and extend it through one’s own creative perspective. Specifically, we are interested in what role might a Laban-infused dance, poetry, music and performance art play in shaping the appreciation of cultural diversity and in creating equality and inclusion among human beings.


Since 2018, when we presented the first ECOPOETIC event in NYC, we adopted the term
“Ecopoetic”, as a conceptual umbrella for artistic practices that relate to an ecological thinking mode, which is multi-focused, interconnected, and oriented to nurturing escapes from standardized behaviors and the design of paths that may offer new life possibilities.


ECOPOETIC @ LABAN 2022 evokes the early 20th century collaborative works created by choreographer/movement theorist Rudolf Laban (1879 – 1958), who believed their structure promoted core needs of human society: “sharing, relating and creating together.” We believe that when performances in public spaces relate horizontally with the audience, they are more effective in nurturing those needs, transforming peoples’ perceptions of each other and their whereabouts and redefining social spaces through unusual forms of using them.


At ECOPOETIC @LABAN 2022 we reaffirm a multi-centered spatial structure, formed by small performing spots, aiming to create a network of Laban-infused art, connecting different spaces of the Casa França-Brasil Cultural Center. We are interested in people, performing close to and with people, dialoguing with the environment, adding new rhythms and movement dynamics to the beautiful atmosphere that already exists.

ECOPOETIC / 2018 / NYC

Artistic Director
Ms. Regina Miranda

CMA - Centro Laban Rio

Curatorial Committee

Ms. Bala Sarasvati CMA - Jane Wilson Professor/Georgia University

Dra. Denise Telles PHD Laban Centre London | Unirio
Dra. Lígia Tourinho CMA - UFRJ
Luciana Bicalho Educadora Labaniana | FAV | CAL
Ms. Luiza Marcier PUC-Rio
Marina Salomon 
CMA Hon. | Centro Laban Rio | CAL | Unirio

Dra. Elisabete Reis UFF, Unilasalle RJ

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